Beyond Gen Y Fads Cool & Classy

by Kerry Cue

Womad 2015 Festival vibe

You can find more information about Her Magnificence (above) here along with more fab fashion at WOMAD, Adelaide, here and our very special Chemo Fashionista, Jules, here. Meanwhile, here are some more Cool & Classy fashionistas at WOMAD.

Mother and Daughter with the WOW Factor.

Mother and Daughter with the WOW Factor.

Dazzling African Print

Dazzling African Print

Spot on class.

Spot on style.

The Fabulous Hazel

The Fabulous Hazel

Officialish FAB

Officialish & Classy too

Beyond Y Gen Fads: Funky & Fabulous

by Kerry Cue

Womad 2015 Festival vibe

WOMADelaide 2015I’ve just been to WOMAD 2015 in Adelaide. The spanish pair, Osadia (Left in action) enthralled the crowd with their hair art. One could only pay homage to the Her Magnificence (Pictured above), sporting one of Osadia’s many magisterial creations at the Festival. Osadia made me think that we are all rather dull with our own creative coiffures. Meanwhile, I wandered around the crowd asking fellow festival goers if I could take their photos for a Festival Vibe post on Sibylesque. Here is the first (There will be two more in posts) of some of the Funky & Fab festival goers:

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They fly forgotten as a dream

by Maren Rawlings

 sibylesque e e cummings quote

On my walk, if I come round the corner quietly I find the path through the park is occupied by a flock of galahs and tufted (native) pigeons. The galahs greet me raucously and fly into the pines but the pigeons stubbornly walk ahead of me in single file with short busy steps like matrons making for the bed linen department in Boxing Day sale. Finally the one at the back takes to the wing with a high, soft fluted cry and lands at the front of the formation as they turn off the path and then stop to look at me with a disapproving air.

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My mind goes back to a teacher in secondary school with a grey high French roll just like a pigeon tuft. Her legs, under her ample “pouter” torso, were thin and bird like and she moved with the same strutting business. On her way from Assembly to classes she would sing with the honesty of a deeply religious woman. Her mind, however, was not tidy, so that we would come from reedy renditions of “Brightest and best of the suns of the morning, Dawn on our darkness and lend us thine aid…” to hear her intoning “Time like an ever rolling stream, Bears all its sons away, They fly forgotten as a dream, Dies at the opening day”. Phew, thank goodness we were daughters, we laughed, ignoring her spinster state, a fault no doubt, of someone’s son.

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My sister-in-law, a lorikeet, can not only sing, but she can play the piano at the same time (even standing up), so when she disappears to “practise” there is no possibility of recalling her from the realms of angels.

Music, it is said, originated probably with the imitation of bird calls. There is evidence that perception of the octave might be shared among species, but the number of distinct notes between that tonal recurrence is a matter of culture or taste. Music of itself is not judged to be positive or negative, although particular assortments of notes may not be pleasing (especially when my husband sings). It can be a subversive and highly satisfying mode of expression.

filmstrip beehive hair do

The first song I taught my granddaughter, “Cry baby bunting, Daddy’s gone a-hunting, Gone to catch a rabbit skin to put the baby bunting in”, was my childish response to having to procure and prepare meals for my ethically vegetarian son-in-law. I knew he had the higher moral ground!

Give the galahs and other birds a serve of their own

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Maren RawlingsMaren Rawlings is a fabulously diverse educator and music devotee. She has taught at city and country schools including a 22-year stint at MLC, Melbourne. She has lectured in psychology at RMIT University and Melbourne Uni, written Psychology textbooks and, in 2011, graduated PhD in “Humour at Work” at Swinburne University where she currently tutors.

Maren is President of the Star Chorale, a community choir and this year they sing Verdi’s Requiem with the Zelman Orchestra.

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Photo Source: Unsourced

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The Sibyls Sing

by Maren Rawlings

Sibylesque music quote 2

This year I am going to relive one of the most sublime experiences of Western Civilization. I shall take part as a second soprano in Verdi’s Requiem for four soloists, double choir and orchestra in the Melbourne Town Hall. It was first performed in Milan in 1874. Beginning with a plea for the eternal rest of the departed, it moves in Roman Catholic style with exuberant terror to the possible Judgement (“Dies irae, dies illa, Solvet saeclum in favilla, Teste David cum Sybilla*” Not only do our Sibyls sing, occasionally they sing about our namesake, TheSibyls. Ed.).

The cry goes out to “gentle Jesus” as past sins are remembered and prayers are offered until the great Sanctus or worship of the Trinity rings out. Then we are reminded of the Lamb of God, Light Eternal and the work ends with the incredible “Libera Me” (Deliver me).

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The best thing about this intention (apart from making “divine” music) is that I shall join about 180 other singers most of whom cannot read music. We have the wonders of the car disc player and the smart phone to thank for a whole new pool of choristers. Your part is provided on CD or you can download it from the internet and you now have a legitimate self-improvement excuse to wear those ear-buds on every possible occasion for private practice. Full throated in the car or on your walk is recommended. Give the birds and galahs a serve of their own.

Our only requirement to be in the choir is that you can SING IN TUNE and that you pay unswerving and COMPLETE ATTENTION to our Director-Conductor (Jane Elton Brown OAM). Actually, hubby does front of house and he needs help, so we shall accept non-singing members if you just want to listen while the spouse has all the fun.

You can find us at Star Chorale: A tradition of excellence in choral music if you would like further information about rehearsals or if you would like to come to the concert on 26th July at 2 pm.

*”Day of anger, day of terror, All shall crumble into ashes, As the Sibyl and David bore witness”

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Maren RawlingsMaren Rawlings is a fabulously diverse educator and music devotee. She has taught at city and country schools including a 22-year stint at MLC, Melbourne. She has lectured in psychology at RMIT University and Melbourne Uni, written Psychology textbooks and, in 2011, graduated PhD in “Humour at Work” at Swinburne University where she currently tutors.

Maren is President of the Star Chorale, a community choir and this year they sing Verdi’s Requiem with the Zelman Orchestra.

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Photo Source: Star Choral Website

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